No matter what you thought about the end of the HBO version of Game of Thrones, it’s worth considering George R.R. Ma ...
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Quod autem meum munus dicis non equidem recuso, sed te adiungo socium. Quacumque enim ingredimur, in aliqua historia vestigium ponimus. Mihi enim satis est, ipsis non satis. Duo Reges: constructio interrete.
Quem quidem vos, cum improbis poenam proponitis, inpetibilem facitis, cum sapientem semper boni plus habere vultis, tolerabilem. Itaque hoc frequenter dici solet a vobis, non intellegere nos, quam dicat Epicurus voluptatem. Quid sequatur, quid repugnet, vident. Duarum enim vitarum nobis erunt instituta capienda. Septem autem illi non suo, sed populorum suffragio omnium nominati sunt. Materiam vero rerum et copiam apud hos exilem, apud illos uberrimam reperiemus.
Et ais, si una littera commota sit, fore tota ut labet disciplina. Rem unam praeclarissimam omnium maximeque laudandam, penitus viderent, quonam gaudio complerentur, cum tantopere eius adumbrata opinione laetentur? Id enim volumus, id contendimus, ut officii fructus sit ipsum officium. Tum Piso: Quoniam igitur aliquid omnes, quid Lucius noster? Nam aliquando posse recte fieri dicunt nulla expectata nec quaesita voluptate. Sed non alienum est, quo facilius vis verbi intellegatur, rationem huius verbi faciendi Zenonis exponere. Tria genera bonorum; Non quam nostram quidem, inquit Pomponius iocans;
- Understand your preference and strengths.
Do you naturally lean towards being an Archite ...
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Hic Speusippus, hic Xenocrates, hic eius auditor Polemo, cuius illa ipsa sessio fuit, quam videmus. Duo enim genera quae erant, fecit tria. Non autem hoc: igitur ne illud quidem. Verba tu fingas et ea dicas, quae non sentias? Quae hic rei publicae vulnera inponebat, eadem ille sanabat. Duo Reges: constructio interrete. Vide, quantum, inquam, fallare, Torquate.
Cur igitur easdem res, inquam, Peripateticis dicentibus verbum nullum est, quod non intellegatur? Atque ab his initiis profecti omnium virtutum et originem et progressionem persecuti sunt. Aut unde est hoc contritum vetustate proverbium: quicum in tenebris? Huius ego nunc auctoritatem sequens idem faciam.
Nec vero sum nescius esse utilitatem in historia, non modo voluptatem. Erit enim mecum, si tecum erit. Sed ad bona praeterita redeamus. Quae cum praeponunt, ut sit aliqua rerum selectio, naturam videntur sequi; Ita relinquet duas, de quibus etiam atque etiam consideret. Unum nescio, quo modo possit, si luxuriosus sit, finitas cupiditates habere. Quis istud possit, inquit, negare? Rationis enim perfectio est virtus; Non minor, inquit, voluptas percipitur ex vilissimis rebus quam ex pretiosissimis. At enim, qua in vita est aliquid mali, ea beata esse non potest.
The main limitation of this model is when it is applied as a binary choice when in reality there is an interplay and overlap between the approaches. In addition, some might argue that even though some people appear to be Gardeners, they actually have an implicit sense of planning that is not being stated or so consciously surfaced.
George R.R. Martin as a Gardener.
Martin points out that he leans more towards being a gardener, and describes how he started writing Game of Thrones having imagined a scene of a family finding wolves. He had a broad idea of the setting but effectively had to define it as he wrote, only creating the map when he was quite far into the story.
This fascinating Twitter thread by academic Daniel Silvermint argues that the failure of the final season of Game of Thrones was because Martin was a Gardener, yet the show writers had to write the final season without his text and relied on an Architect approach to draw the story to a conclusion.
J.K. Rowling as an architect.
Rowling used what has become known as a ‘story grid’ to plot out her stories. The following is part of her outline for Order of the Phoenix.
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This concept is from George R.R. Martin’s description of writing approaches which he outlines in this quote:
“I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.”
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